{"id":8116,"date":"2017-11-01T13:51:59","date_gmt":"2017-11-01T13:51:59","guid":{"rendered":"http:\/\/192.168.3.178\/?p=8116"},"modified":"2020-02-12T13:56:08","modified_gmt":"2020-02-12T13:56:08","slug":"oscars-golden-globes-contenders-definitive-guide","status":"publish","type":"post","link":"https:\/\/www.musicmagpie.co.uk\/blog\/2017\/11\/01\/oscars-golden-globes-contenders-definitive-guide\/","title":{"rendered":"Which films will win Oscars and Golden Globes next year? Here&#8217;s our definitive guide!"},"content":{"rendered":"<p>Well, it\u2019s that time of year again as autumn moves into winter and the road to awards season begins to open forth. Beginning in December with the New York Film Critics Circle Awards and carrying on up to the Academy Awards in March, awards season will take us across numerous bodies and give us countless winners, runners-up and nominees. So here is a list compiled by us at musicMagpie of who will be possibly up for major awards this year.<\/p>\n<hr \/>\n<h3><strong>The Big Sick<\/strong><\/h3>\n<p><strong>Director:<\/strong> Michael Showalter<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jcD0Daqc3Yw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Sundance breakouts normally land it big around Oscar season (although there are occasions, such as <em>Fruitvale Station<\/em>, when this fails to materialise) and given its sleeper hit status and the collapse of some of their other contenders, Amazon could make a large push with this one.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:<\/strong> Best Picture, Best Original Screenplay.<\/p>\n<p><strong>Golden Globes:<\/strong> Best Motion Picture (Musical\/Comedy), Best Actor in a Motion Picture (Musical\/Comedy), Best Actress in a Motion Picture (Musical\/Comedy).<\/p>\n<hr \/>\n<h3><strong>Blade Runner 2049<\/strong><\/h3>\n<p><strong>Director:\u00a0<\/strong>Denis Villeneuve<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gCcx85zbxz4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>I was originally planning on dropping this into the technical contenders (especially with the potential buzz that this could finally land an Oscar to cinematographer Roger Deakins), but seeing as how the Best Adapted Screenplay category is pretty weak this year, it could go a little higher.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:<\/strong> Best Cinematography (possibly winning), Best Editing, Best Visual Effects, Best Sound Editing and Mixing, Best Adapted Screenplay.<\/p>\n<p><strong>BAFTA Awards<\/strong> in their respective categories.<\/p>\n<hr \/>\n<h3><strong>Call Me by Your Name<\/strong><\/h3>\n<p><strong>Director: <\/strong>Luca Guadagnino<u><\/u><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Z9AYPxH5NTM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Like <em>The Big Sick<\/em> above, <em>Call Me by Your Name<\/em> has been riding the waves of its recent Sundance success and looks all set to follow in the footsteps of films that have done this in recent years, such as <em>Boyhood<\/em> and <em>Manchester by the Sea<\/em>. Nowhere is this more prominent than in the Adapted Screenplay category, where we could see a little golden man being handed to the picture\u2019s screenwriter and maestro of the period drama James Ivory (yes, he of Merchant-Ivory).<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:<\/strong> Best Adapted Screenplay (possibly winning), Best Director, Best Actor (Timothee Chalamet and possibly Armie Hammer), Best Supporting Actor (Michael Stuhlbarg, Armie Hammer or both), Best Cinematography.<\/p>\n<p><strong>Golden Globes:<\/strong> Best Screenplay, Best Motion Picture (Drama), Best Actor (Drama). Best Supporting Actor, Best Director.<\/p>\n<hr \/>\n<h3><strong>Darkest Hour<\/strong><\/h3>\n<p><strong>Director: <\/strong>Joe Wright<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LtJ60u7SUSw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Well, it wouldn\u2019t be Oscar season if we didn\u2019t have one bog-standard Oscar Bait biopic, and it looks like we\u2019ll finally be seeing Gary Oldman getting his dues. Although, in other categories, its status as Focus Features\u2019 main horse will probably depend on the reception for Paul Thomas Anderson\u2019s <em>Phantom Thread<\/em> (which we will come to in a bit).<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards: <\/strong>Best Actor (possibly winning),\u00a0Best Make-up and Hair,\u00a0Best Costume Design,\u00a0Best Production Design,\u00a0Best Picture,\u00a0Best Director,\u00a0Best Motion Picture Drama,\u00a0Best Cinematography (Bruno Delbonnel),\u00a0Best Original Score,\u00a0Best Original Screenplay.<\/p>\n<p>A heap of\u00a0<strong>BAFTA\u00a0<\/strong>prizes.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Motion Picture Drama,\u00a0Best Original Score,\u00a0Best Actor Drama (Oldman\u2019s politics have often rubbed the HFPA the wrong way).<\/p>\n<hr \/>\n<h3><strong>Dunkirk<\/strong><\/h3>\n<p><strong>Director: <\/strong>Christopher Nolan<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/F-eMt3SrfFU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The main contender for Warner Bros and possibly the major visual\/technical filmmaking contender we have received for the last few years (2013\u2019s <em>Gravity<\/em> starting the trend). Also, this is likely to be the film that earns Christopher Nolan major industry recognition, although it\u2019ll probably be Guillermo del Toro who could take the Oscar on the night.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Director (possibly winning),\u00a0Best Editing (possibly winning),\u00a0Best Visual Effects,\u00a0Best Picture,\u00a0Best Original Score (depending on eligibility),\u00a0Best Sound Editing and Mixing (possibly winning).<\/p>\n<p><strong>Golden Globe:\u00a0<\/strong>Best Director (possibly winning),\u00a0Best Motion Picture (Drama),\u00a0Best Original Score.<\/p>\n<hr \/>\n<h3><strong>The Disaster Artist<\/strong><\/h3>\n<p><strong>Director:<\/strong> James Franco<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5Qa6Flvv11w\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Critical acclaim since SXSW, weak Adapted Screenplay category and a possible cult classic in the making. Not bad for a feature about the making of 2003 cult classic <em>The Room<\/em>.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Adapted Screenplay, Best Actor.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Motion Picture (Musical\/Comedy),\u00a0Best Actor in a Motion Picture (Musical\/Comedy) (possibly winning).<\/p>\n<hr \/>\n<h3><strong>The Florida Project<\/strong><strong>\u00a0<\/strong><\/h3>\n<p><strong>Director: <\/strong>Sean Baker<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WwQ-NH1rRT4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Well, there\u2019s quite a lot for Sean Baker\u2019s follow-up to his 2015 iPhone shot LGBT comedy <em>Tangerine<\/em>. It jointly shares the status of being A24\u2019s (the studio that brought <em>Moonlight<\/em> Oscar success) main priority, could bring awards glory to the most prolific face in Hollywood (literally) Willem Dafoe and has enjoyed massive acclaim since premiering on the Croisette back in May.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Supporting Actor (possibly winning),\u00a0Best Picture, Best\u00a0Director,\u00a0Best Original Screenplay,\u00a0 Best Supporting Actress (Brooklynn Prince).<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Supporting Actor (possibly winning),\u00a0Best Motion Picture (Drama),\u00a0Best Director.<\/p>\n<hr \/>\n<h3>Get Out<\/h3>\n<p><strong>Director:<\/strong> Jordan Peele<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DzfpyUB60YY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The most unexpected box-office sensation of 2017, horror-comedy <em>Get Out<\/em> has the potential to go all the way if Universal plays its cards right, as well as the fact it\u2019s the only film they&#8217;ve got to push for awards contention.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Original Screenplay,\u00a0Best Picture.<\/p>\n<p><strong>Golden Globe:\u00a0<\/strong>Best Motion Picture (Musical\/Comedy),\u00a0Best Actor in a Motion Picture (Musical\/Comedy).<\/p>\n<hr \/>\n<h3><strong>I, Tonya\u00a0<\/strong><\/h3>\n<p><strong>Director: <\/strong>Craig Gillespie<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/aOidmyXkbyQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>To be honest, like <em>Jackie<\/em> last year, I was expecting this to be the <em>Diana<\/em>\/<em>Collateral Beauty<\/em> of 2017 (given its writer has mostly been associated with mediocre rom-coms, please don\u2019t kill me). Looks like I was wrong, especially when it comes to who is leading the Supporting Actress category (with Allison Janney receiving praise).<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Supporting Actress (possibly winning), Best Actress.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Supporting Actress (possibly winning),\u00a0Best Motion Picture (Musical\/Comedy),\u00a0Best Actress in a Motion Picture (Musical\/Comedy).<\/p>\n<hr \/>\n<h3>Lady Bird<\/h3>\n<p><strong>Director: Greta Gerwig<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cNi_HC839Wo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Firstly, this film forms the second part of A24\u2019s awards season push and secondly, it has the acclaim and it would be satisfying to see actress and indie darling Greta Gerwig receive recognition for her first outing as director.<\/p>\n<p>It also has quite a cast including the likes of Saorise Ronan, Laurie Metcalf (the voice of Andy\u2019s mother in the <em>Toy Story<\/em> trilogy and Mary Cooper from <em>The Big Bang Theory<\/em>), Tracy Letts, Lucas Hedges, Timothee Chalamet (quite a double whammy this year) and Stephen McKinley Henderson (<em>Fences<\/em> \u201d\u201c both the film and stage play)<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Supporting Actress (Laurie Metcalf),\u00a0Best Actress,\u00a0Best Original Screenplay.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Supporting Actress (Laurie Metcalf),\u00a0Best Motion Picture (Musical\/Comedy), Best Actress in a Motion Picture (Musical\/Comedy).<\/p>\n<hr \/>\n<h3>The Meyerowitz Stories (New and Selected)<\/h3>\n<p><strong>Director:\u00a0<\/strong>Noah Baumbach<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/czyMIIm12JY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Unlikely to be in contention for Academy Awards, due to reasons we will get on to in the next entry, it could however be in for a smattering of Golden Globes and Indie Spirit nominations. In particular acting awards for its cast, with Adam Sandler (yes, you are reading that correctly) and Dustin Hoffman being singled out.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Motion Picture (Musical\/Comedy), Golden Globe for Best Actor in a Motion Picture (Musical\/Comedy) (Adam Sandler).<\/p>\n<hr \/>\n<h3>Mudbound<\/h3>\n<p><strong>Director: <\/strong>Dee Rees<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xucHiOAa8Rs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>It may have been written off early on due to a lack of traction, but the aforementioned barren wasteland that is the Adapted Screenplay category and Netflix not having much else to push (save for a few documentaries and the previous entry) could see Dee Rees\u2019s adaptation of Hillary Jordan\u2019s 2008 novel return to the awards conversation. Keep a close eye out for a potential dark horse in the Supporting Actor category in the form of <em>Straight Outta Compton<\/em>\u2019s Jason Mitchell.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:<\/strong>\u00a0Best Adapted Screenplay, Best Supporting Actor.<\/p>\n<hr \/>\n<h3>Phantom Thread<\/h3>\n<p><strong>Director:\u00a0<\/strong>Paul Thomas Anderson<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/xNsiQMeSvMk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Being this could be Daniel Day-Lewis\u2019s final picture before retiring (although based on the number of times Hayao Miyazaki has announced his retirement, I will wait and see), it could garner quite the attention. However, there is more to this than just Day-Lewis.<\/p>\n<p>There are many reasons that this could land awards attention, from director Paul Thomas Anderson (who will be doing double duties as director and cinematographer) to its period setting and studio backing it.<\/p>\n<p>There\u2019s even talk of nominations not just for Day-Lewis, but also for the likes of lead actress Vicky Krieps and Mike Leigh regular Lesley Manville. Although, there is the danger that (like some of Anderson\u2019s recent features) it may not strike much of a chord with AMPAS (being referred to as a more artsy version of <em>Fifty Shades of Gray<\/em> \u201d\u201c please refrain from such comparisons) and will face internal competition from Focus\u2019s other contender <em>Darkest Hour<\/em>.<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Costume Design (possibly winning),\u00a0Best Production Design,\u00a0Best Make-up,\u00a0Best Cinematography,\u00a0Best Original Score (Jonny Greenwood),\u00a0Best Supporting Actress (Lesley Manville),\u00a0Best Original Screenplay,\u00a0Best Actress (Vicky Krieps, depending on placement),\u00a0Best Director,\u00a0Best Picture.<\/p>\n<hr \/>\n<h3>The Post<\/h3>\n<p><strong>Director: Steven Spielberg<\/strong><\/p>\n<p>Let\u2019s see. Period drama. Check. Relevant storyline and timely themes. Well, it covers the New York Times and Washington Post\u2019s uncovering of the Pentagon Papers, so check. Beloved AMPAS director (Steven Spielberg and his team including editor Michael Kahn, cinematographer Janusz Kaminski and the one and only John Williams). Check. Big names that will turn every awards body\u2019s heads. Tom Hanks and Meryl Streep headline the feature. What do you think?<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Picture,\u00a0Best Director,\u00a0Best Actor,\u00a0Best Actress,\u00a0Best Original Screenplay,\u00a0Best Original Score (John Williams),\u00a0Best Production Design,\u00a0Best Editing,\u00a0Best Cinematography,\u00a0Best Costume Design.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Motion Picture (Drama),\u00a0Best Director,\u00a0Best Actor (Drama),\u00a0Best Actress (Drama),\u00a0Best Screenplay,\u00a0Best Score.<\/p>\n<hr \/>\n<h3><strong>The Shape of Water<\/strong><\/h3>\n<p><strong>Director:\u00a0<\/strong>Guillermo Del Toro<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/XFYWazblaUA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The biggest name to land from Venice and create ripples (if you pardon the pun) in the awards season outlook, <em>The Shape of Water<\/em> may sound unconventional (a love story between a mute woman and a fish-man during the Cold War), but it has critical acclaim to back it up and the Golden Lion that came with it.<\/p>\n<p>Along with the final entry on the list, you can bet that Fox Searchlight will be launching a major campaign for this.<\/p>\n<p>Also, a potential Best Actress nomination would more than make up for that painful snub we had to see Sally Hawkins go through back in 2008 (if Holly Hunter could win for not speaking in <em>The Piano<\/em>, Hawkins will do just fine here).<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>\u00a0Best Picture,\u00a0Best Director (possibly winning),\u00a0Best Actress,\u00a0Best Supporting Actor (Michael Shannon or Richard Jenkins),\u00a0Best Supporting Actress (Octavia Spencer),\u00a0Best Original Screenplay,\u00a0Best Original Score (Alexandre Desplat),\u00a0Best Production Design,\u00a0Best Editing,\u00a0Best Cinematography,\u00a0Best Costume Design,\u00a0Best Make-up,\u00a0Best Visual Effects.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Motion Picture (Drama),\u00a0Best Director (possibly winning),\u00a0Best Actress (Drama),\u00a0Best Supporting Actor (Michael Shannon or Richard Jenkins),\u00a0Best Supporting Actress (Octavia Spencer),\u00a0Best Screenplay,\u00a0Best Score.<\/p>\n<hr \/>\n<h3>Three Billboards Outside Ebbing, Missouri<\/h3>\n<p><strong>Director: Martin McDonagh<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Jit3YhGx5pU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>A major contender since its arrival at Venice, <em>Three Billboards Outside Ebbing, Missouri<\/em> holds the honour of being Martin McDonagh\u2019s most acclaimed film to date (sorry,\u00a0<em>In Bruges<\/em>) and features a tour-de-force performance from Frances McDormand that could see her nab her second Oscar in the space of twenty years.<\/p>\n<p>The screenplay could also be sweeping and crushing competition left and right during this awards season, and seeing it claim victory would serve as justice for <em>In Bruges<\/em> being unfortunate to share the Original Screenplay category with <em>Milk<\/em> (I like that film, so I won\u2019t be harsh on it).<\/p>\n<p>Also keep an eye out for Sam Rockwell; I was predicting him early on since he had the best supporting character in the script and also \u201d\u02dcAcademy Award nominee Sam Rockwell\u2019 would look good on the poster for the upcoming Dick Cheney biopic <em>Backseat<\/em> (in which Rockwell takes on the role of Dubya).<\/p>\n<p><strong>Nominations it could land (in order of likelihood):<\/strong><\/p>\n<p><strong>Academy Awards:\u00a0<\/strong>Best Original Screenplay (possibly winning),\u00a0Best Actress (possibly winning),\u00a0Best Supporting Actor,\u00a0Best Picture,\u00a0Best Director,\u00a0Best Original Score (Carter Burwell),\u00a0Best Editing.<\/p>\n<p><strong>Golden Globes:\u00a0<\/strong>Best Actress (Drama),\u00a0Best Supporting Actor,\u00a0Best Motion Picture (Drama),\u00a0Best Director.<\/p>\n<hr \/>\n<p>Love film? Then check out <a href=\"http:\/\/192.168.3.178\/store\/film-tv?utm_source=blog&amp;utm_medium=social&amp;utm_campaign=oscar-contenders\">the extensive range of DVDs and Blu-Rays on the musicMagpie Store<\/a>\u00a0today! We&#8217;ve got everything from award winners to cult classics, all at incredible prices and all sent via FREE delivery. Why wouldn&#8217;t you?<\/p>\n<p><a href=\"http:\/\/192.168.3.178\/store\/film-tv?utm_source=blog&amp;utm_medium=social&amp;utm_campaign=oscar-contenders\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5210 size-full\" src=\"http:\/\/192.168.3.178\/wp-content\/uploads\/2015\/12\/SHOP-NOW.png\" alt=\"SHOP NOW\" width=\"299\" height=\"50\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, it\u2019s that time of year again as autumn moves into winter and the road to awards season begins to open forth. Beginning in December with the New York Film Critics Circle Awards and carrying on up to the Academy Awards in March, awards season will take us across numerous &hellip;<\/p>\n","protected":false},"author":12,"featured_media":8127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[1886,1574],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/posts\/8116"}],"collection":[{"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=8116"}],"version-history":[{"count":14,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/posts\/8116\/revisions"}],"predecessor-version":[{"id":11375,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/posts\/8116\/revisions\/11375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/media\/8127"}],"wp:attachment":[{"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=8116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=8116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musicmagpie.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=8116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}