Bonjour mesdames et messieurs, c’est encore cette p\u00c3\u00a9riode de l’ann\u00c3\u00a9e. In the next few weeks, we will be seeing the seventy first edition of the Cannes Film Festival beginning. There\u2019s been a wide list of selections, so we at MusicMagpie will be counting down a list of potential features to look out for.<\/p>\n
All countries are covered from the dominant likes of the US, France, Italy and Japan to the more far reaching, barely spoken of likes of Lebanon, Kazakhstan and Colombia.<\/p>\n
Unfortunately, due to conflicts with the organisers, Netflix have withdrawn their acquired features from the festival meaning we will have to wait until later in the year for the likes of Alfonso Cuaron\u2019s Roma<\/em> and Orson Welles\u2019s The Other Side of the Wind<\/em> (which according to insiders, were highly desired by Thierry Fremaux).<\/p>\n Previously mentioned features Everybody Knows<\/em>, Ash is the Purest White<\/em>, The House that Jack Built<\/em>, The Man Who Killed Don Quixote<\/em> and Under the Silver Lake<\/em> from\u00a0our earlier\u00a0list of upcoming indie, foreign language and documentary features of 2018<\/a>\u00a0have been announced as competition entries along with a fiftieth anniversary screening of 2001: A Space Odyssey<\/em>, so let\u2019s see what else there is to look forward to.<\/p>\n Directors: Cristina Gallego and Ciro Guerra (Colombia)<\/strong><\/p>\n
\nBirds of Passage <\/strong><\/h3>\n