Of all the evils that threatened the Spanish monarchy around 1600, perhaps the worst was the inclination of its subjects towards enjoyment and debauchery, which led to the creation and practice of a myriad of festive and lascivious dances. Thus, dance-songs were censured and prohibited, and accompanied by severe punishments (lashes, galleys, exiles...). With lost or non-existent scores, the only way to revive these dances has been by reconstructing their melodies and rhythms from their surviving evidence: the poems and the harmony.
1) A La Zambarambé (Guineo) ()
2) Baile Del Polvillo ()
3) Jácara De La Méndez ()
4) Chacona ()
5) Arrojome Las Naranjicas (Folías) ()
6) Baile Del Ay, Ay, Ay ()
7) Una Batalla De Amor (Zarabanda) ()
8) Folías ()
9) Españoles Bríos (Canarios) ()
10) Préstame Esos Ojos (Seguidillas) ()
11) Tonadilla Y Jácara Nueva De La Zangarilleja ()
12) Pavanas ()
13) Dónde Va La Niña Bonita? (Gascona) ()
14) Secutor De La Vara ()
15) El Baile De La Chacona ()