Youthful piano quintets from Korngold the arch-romantic and Bart�k in his pre-modernist vein make a fascinating comparison. This album offers a snapshot of early twentieth-century Austro-Hungarian chamber music as represented by two of its most individual voices.
1) I. Andante ()
2) II. Vivace (Scherzando) ()
3) III. Adagio ()
4) IV. Poco a Poco Piu Vivace ()
5) I. Maßiges Zeitmaß, Mit Schwungvoll Blühendem Ausdruck ()
6) II. Adagio. Mit Größter Ruhe, Stets Äußerst Gebunden Und Ausdrucksvoll ()
7) III. Finale. Gemessen, Beinahe Pathetisch ()