Nikolaus Harnoncourt describes Mozart's Requiem as 'an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree'. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver S�ssmayr, who completed the Requiem after Mozart's death.
1) I. Introitus: Requiem Aeternam ()
2) II. Kyrie ()
3) III. Sequentia ()
4) IIIa. Sequentia: Dies Irae ()
5) IIIb. Sequentia: Tuba Mirum ()
6) IIIc. Sequentia: Rex Tremende ()
7) IIId. Sequentia: Recordare ()
8) IIIe. Sequentia: Confutatis ()
9) IIIf. Sequentia: Lacrimosa ()
10) IV. Offertorium ()
11) IVa. Offertorium: Domine Jesu ()
12) IVb. Offertorium: Hostias ()
13) V. Sanctus ()
14) VI. Benedictus ()
15) VII. Agnus Dei ()
16) VIII. Communio: Lux Aeterna ()