Presenting four excerpts from a three-hour concert, the LP's opening moments immediately establish its distinctive sound-world: an austere sequence of octaves slowly sounded by the piano gradually develops into passages of fragmentary lyricism as Noetinger's tape manipulations dilate the sonic space with rumbling sub-bass, distant echoes, and hints of uncanny backmasking.
1) 20h14/20h29 ()
2) 19h39/19h46 ()
3) 19h48/19h55 ()
4) 21h24/21h37 ()