The heavy electronic sound of the first track, with its swathes of distortion, put it very much in noise territory, with Wimberly contributing coloristic accents and heavier flurries of rhythmic activity. After the twenty uncompromising minutes of 'Collective Tunnels', for 'Conscious Tunnels', Cline switches to a guitar tone John Abercrombie wouldn't shy away from and Thollem sits down at an acoustic piano (for a while) - though their free improvisation is just as uncompromising.
1) Collective Tunnels (20.06)
2) Conscious Tunnels (19.20)