1) Introduction - Leighton Pugh ()
2) I. Allegro (Excerpt) - Swiss Baroque Soloists ()
3) Hurtling Through Interstellar Space - Leighton Pugh ()
4) I. Prelude - II. Fugue (Excerpt) - Julia Brown ()
5) After the Street Brawl and the Trip to See Buxtehude - Leighton Pugh ()
6) Toccata (Excerpt) - Wolfgang Rubsam ()
7) Yet Buxtehude and the Northern German Musical Culture - Leighton Pugh ()
8) Organ Concerto in C Major, BWV594 (Excerpt) - Wolfgang Rubsam ()
9) Historians Have Argued That the Lesson Bach Learned - Leighton Pugh ()
10) II. Largo, Ma Non Tanto (Excerpt) - Various Performers ()
11) During Bach's Nearly Six Years at Köthen - Leighton Pugh ()
12) Fugue (Excerpt) - Luc Beausejour ()
13) The Second Köthen Composition That Has Come to Define - Leighton Pugh ()
14) I. (Excerpt) - Swiss Baroque Soloists ()
15) However Productive Bach May Have Been at Köthen - Leighton Pugh ()
16) Erbarme Dich, Mein Gott, Um Meiner Zähren Willen (Excerpt) - Various Performers ()
17) Bach's Musical Activities in the Years Following - Leighton Pugh ()
18) I. Allegro (Excerpt) - Robert Hill/Kölner Kammerorchester ()
19) As Well As Its Regular Weekly Concerts - Leighton Pugh ()
20) Sonata À 3. Allegro (Excerpt) - Various Performers ()
21) Despite Bach's Travelling and Various Guest Appearances - Leighton Pugh ()
22) Contrapunctus Inversus XII À 4 (Excerpt) - Wolfgang Rubsam ()
23) As Well As Exhibiting Bach's Penchant for the Theoretical Aspect - Leighton Pugh ()
24) Dona Nobis Pacem (Excerpt) (1) - Slovak Philharmonic Chorus/Cappella Istropolitana ()
25) We Know of Nothing That Bach Composed After This Movement - Leighton Pugh ()
26) Dona Nobis Pacem (Excerpt) (2) - Slovak Philharmonic Chorus/Cappella Istropolitana ()