'Cantata Mundi' is a development of ideas first heard in 'Songs of Sanctuary', where the world of ethnic influences (both in vocal sound and percussion) are combined with established Western European classical technique to present a unified work. Vocally, the spread of influence is wider than in 'Songs of Sanctuary', with Eastern European and Arabic sounds added to the African, 'Celtic' and ecclesiastical blend.
1) Song of Tears ()
2) Za Ma Ba ()
3) Song of the Spirit ()
4) Roosh Ka Ma ()
5) Song of the Trinity ()
6) Vocalise ()
7) Song of the Odyssey ()
8) Alame Oo Ya ()
9) Song of the Plains ()
10) Arama IVI ()
11) Song of Invocation ()
12) Sol-fa ()
13) Song of Aeolus ()
14) A Ma Ka Ma ()