Milton and the metamorphosis of Ovid - Maggie Kilgour



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Milton and the metamorphosis of Ovid
Maggie Kilgour
Oxford University Press
UK Publication Date

Milton and the Metamorphosis of Ovid contributes to our understanding of the Roman poet Ovid, the Renaissance writer Milton, and more broadly the transmission and transformation of classical traditions through history. It examines the ways in which Milton drew on Ovid's oeuvre, as well as the long tradition of reception that had begun with Ovid himself, and argues that Ovid's revision of the past, and especially his relation to Virgil, gaveRenaissance writers a model for their own transformation of classical works.
Throughout his career Milton thinks through and with Ovid, whose stories and figures inform his exploration of the limits and possibilities of creativity, change, and freedom. Examining this specific relation between two very individual and different authors, Kilgour also explores the forms and meaning of creative imitation. Intertextuality was not only central to the two writers' poetic practices but helped shape their visions of the world. While many critics seek to establish how Milton read Ovid, Kilgour debates the broader question of why does considering how Milton read Ovid matter?
How do our readings of this relation change our understanding of bothMilton and Ovid; and does it tell us about how traditions are changed and remade through time? Bringing together new work on Milton, Ovid, and the reception of classical literature, this volume aims to show how the past both transforms and is transformed by the present.

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Maggie Kilgour is Molson Professor of English Language and Literature at McGill University where she teaches courses in Renaissance English literature, especially Milton, and the classical tradition. She is the author of two books, From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation (Princeton, 1990) and The Rise of the Gothic Novel (Routledge, 1995).

a fine study of Milton and Ovid ... a skilfully woven work of criticism without a thread awry in its scholarly fabric.
Erick Ramalho, Bryn Mawr Classical Review

a major achievement ... as timely as other creative reinterpretations of Ovid today, and, though a scholarly work, belongs to the same rich field of our own transformations and interpretations of Ovid.
Goran Stanivukovic, Review of English Studies

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