Venice ca. 1700: having recently arrived from France, the instruments à la mode - the oboe, bassoon, baroque recorder, and flûte traversière - go on to conquer the musical centers of the Serenissima. The versatility of these new woodwinds inspires Vivaldi at the Ospedale della Pietà and his compatriots Caldara and Lotti at San Marco throughout their lives, whether in Venice, Rome, Vienna, or Dresden.The ensemble's recording brings together imaginative interpretations of well-known works such as Vivaldi's 'Concerto, RV103' and exciting rediscoveries.
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