Pickle Darling has always existed just outside of the periphery. In a heightened time of fast music, algorithmic consumption and rapid virality, Lukas Mayo has remained focused on the album. Their discography is a reflection of their creative evolution, and they deliberately look for ways to push sonic boundaries from release to release. Their forthcoming fourth album, 'Bots', by contrast, is unruly and full of static: a collection of songs that feel like they could only ever exist on scratched CD-Rs passed between friends. Self-recorded in their home studio in Christchurch, New Zealand, it finds Mayo taking a scalpel to their own songwriting. Songs were stretched, chopped, reversed. Some ideas started as 'unlistenable garbage' before morphing into something unexpectedly beautiful.
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