Where Bavota's early records were pristine, piano-driven expressions of universal themes, his more recent works have found him in a place of thorough meditation and self-examination. If 'Get Lost' isn't a complete reinvention, it is at the very least a completely different direction. Rather than obsess over the sound of the piano itself, Bavota now explores the sounds around the piano - the resonance, the silence, and the acoustic ambience of the living, breathing space in which the piano resides.
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