Who was Rita Hayworth? Born Margarita Carmen Cansino, she spent her life
subjected to others' definitions of her, no matter how hard she worked
to claim her own identity. Although there have been many "revelations"
about her life and career, Adrienne McLean's book is the first to show
that such disclosures were part of a constructed image from the outset.
McLean explores Hayworth's participation in the creation of her star
persona, particularly through her work as a dancer-a subject ignored by
most film scholars. The passive love goddess, as it turns out, had a
unique appeal to other women who, like her, found it extraordinarily
difficult to negotiate the competing demands of family, domesticity, and
professional work outside the home. Being Rita Hayworth also considers
the ways in which the actress has been treated by film scholarship over
the years to accomplish its own goals, sometimes at her expense. Several
of Hayworth's best-known star vehicles-among them Gilda (1946), Down to
Earth (1947), The Lady from Shanghai (1948), and Affair in Trinidad
(1952)- are discussed in depth.
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