Melodiya presents a disc of Benjamin Britten's music for solo cello performed by Alexander Ramm. The most eminent English composer of the twentieth century who, after a two-hundred-year hiatus, again raised the musical tradition of Britain to the heights of the musical Olympus. The composer's connections with Russian music and musicians were significant, but Rostropovich was the one with whom Britten had the closest friendly and creative contact. Under the influence of the performer's art Britten returned to instrumental music, writing a 'Cello Symphony' and a 'Cello Sonata' for Rostropovich. The cycle of 'Suites for Solo Cello', which Dmitri Shostakovich ranked among the best chamber pieces, followed. For a decade, Britten worked on a cycle of three 'Cello Suites', in which he combined the compliance with Baroque examples (in particular, Bach's 'Cello Suites'), echoes of European 'neoclassicism' of the twentieth century and unlimited admiration for the art of Mstislav Rostropovich. Like Shostakovich's famous 'Eighth Quartet', Britten's 'Suites' (nos 2 and 3) contain self-citations from his other works, which help expose their figurative and symbolic programme; the last 'Suite' contains citations from Russian folklore and orthodox songs as a sign of a profound creative connection. The art of the greatest representative of the Russian cello school inspired many composers and brought to life one of the brightest creative pages of the genius British composer.
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