On his debut album 'Half Mirror', Matthew O'Connell superimposes warm analog synths onto self-described 'confessional folk' with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a self-designed synthesizer named 'Balsam', 'Half Mirror' is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments.
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