In December 1963, this sextet were invited to PYE Studios to make a demonstration recording, testing the studio and its equipment, not the band. The results, which turned out to be over 90 minutes of capture-the-moment-or-you'll-miss-it early British mainstream jazz, subsequently lay in a dusty attic for 55 years until now. The session includes two compositions, 'Fictive' written by Pete Lemer and 'Blues for Snorty' written by Tony Roberts which are heard here for the first time. With the help of Peter Lemer and Tony Roberts, both of whom at the time were on the cusp of notable careers in music, augmented by a definitive contextual essay by Simon Spillett, and photographs by Henk Visser, we have reconstructed that snap shot in time.
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