Fiction unbound - Sebnem Toplu

This book covers all Bernardine Evaristo's major works: Lara (1997) and Lara (2009), The Emperor's Babe, Soul Tourists, Blonde Roots and Hello Mum. Each chapter focuses on a particular novel, combining a close analysis of the author's technique with a penetrating understanding of Evaristo's basic themes underlying all her work. This monograph exposes that Evaristo is not simply interested in "multicultural" issues; to label them as such is to overlook her achievement as a novelist. It shows instead how Evaristo combines apparently disparate elements - for example, historical research with late-twentieth century allusions in a narrative such as The Emperor's Babe - to show how African-Caribbeans have been coming to Britain for thousands of years. Yet Evaristo is not just interested in the African-Caribbean experience; this book shows how she tries to question those basic concepts - for example "Englishness" or "patriotism" - which lie at the heart of mainstream white culture in contemporary Britain. It argues that Evaristo is interested in alternative constructions - not only of nationalism, but of other basic issues such as race, gender and class. Her books give the chance for hitherto marginalized characters - slaves, women, or victims of a patriarchal world - to tell their stories and postulate alternative views of the world they live in.

Above all, this monograph shows how Evaristo refuses to be pigeon-holed; she is not simply "a black British writer," but someone who focuses on the interconnectedness of society. This book calls for readers to adopt a more enlightened approach, not only to issues of culture and identity, but to the work of Evaristo as a whole.