Seamus Fogarty's third album is a wholly different sonic prospect to 2017's much-lauded 'The Curious Hand'. Weary of the guitar, and seeking something darker than its predecessor, he chose to lean more heavily on synths and drum machines, and additionally, to self-produce. 'It was about creating and exploring new sound worlds,' Fogarty says. 'Experimenting with new ways of incorporating electronics into the songwriting process, and in some cases dispensing with conventional songwriting processes altogether.'
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