This documentary by John Walter retraces the path of New York artist Ray Johnson, who worked in collage, mail art, and other Dadaist motions. Some of Ray's friends and artistic colleagues such as Chuck Close, Richard Feigen, James Rosenquist, and Christo tell their stories of the late Johnson, who died unexpectedly in 1995. The film starts and end with Johnson's death, as described by the Sag Harbor Long Island policeman who conducted the investigation. Both the policeman and Johnson's friends agree that his drowing seemed to be premeditated and intentional, while fellow artists saw his death as the crowning performance of his career.
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