Written during a residency at Zaragoza's FUGA space, Bence's visceral magnum-opus 'KILL' unfurls as a captivating and unnerving three-part suite, which, as Bence explains, 'tells the story of a murderer who kills his lover, commits suicide and then accelerates towards God to be judged'. Throughout Bence sings like a man possessed, shifting from aching operatic vocals and Gregorian chant to chilling screams, with symphonic instrumentation pounding, swelling and resolving into transfigurative calm behind him.
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