Residing somewhere between symphony and song cycle, 'Das Lied' is one of Mahler's most profound and loved works, marking an important step in the composer's career, as well as in his private life. Jurowski approaches the piece as Mahler's deliberate move from a 'heroic' Beethovenian model towards a more 'lyrical', Schubertian attitude. Throughout 'Das Lied', and particularly in the contemplative last movement, 'Der Abschied' ('The Goodbye'), Mahler seems to come to terms with the mortality of man while celebrating the immortal nature of life.
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