Leonard Bernstein understood and communicated the music of Gustav Mahler at a level that was positively uncanny, and for many listeners and reviewers his Mahler cycle on Deutsche Grammophon from the late 1980s remains the best-loved. The recording was made in New York's Avery Fisher Hall in April 1987, with the New York Philharmonic, the Westminster Choir, and soloists Barbara Hendricks and Christa Ludwig.
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