Alexandre Bloch, has chosen to devote a whole season of concerts to Mahler's symphonies. The 'Seventh' (1904-05) is the most rarely recorded of the cycle - unjustly, because this work later nicknamed 'Song of the Night' testifies as clearly as its companions to the metaphysical grandiloquence that haunted Mahler during its gestation. From the gloomy 'Adagio' of the first movement to the thundering 'Rondo' that concludes the work, Alexandre Bloch and his orchestra lead us from the anguish of twilight to the ecstasies of dawn.
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