The Australian musician and producer had spent the last four years developing his kitchen-sink electropunk aesthetic with his own 21 N FUN entity for ideas in Japan, where lyrics of disaffection were dragged through grainy bedroom productions echoing his big beat and post-industrial influences. Taut with repressed rage and isolation, those two EPs traced Frame's travels, from a final show as touring drummer for avant-pop performer Kirin J Callinan in Tokyo to border closures that left him stranded and restless in the East Asian megacity.
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