The historic photographs in George Mitchell's Mississippi Hill Country Blues 1967 capture a
vibrant blues tradition at the moment of its discovery. Intimate, without posturing or pandering, these
photographs provide a raw, authentic look at African American blues musicians, their families, and
their stomping grounds in the Mississippi Hill Country at a time when blues music remained a lively,
though waning, part of their community and blues musicians were viewed with respect and pride.
Blues musicians brought pleasure and release to people wrestling with severe poverty and pervasive
discrismination.
The book includes Mitchell's interviews, conducted at the time he took the photos, with four of the
musicians, who talk about their music, their lives, and the times in which they live. Running throughout
is the author's recounting of his experience of the seminal musicological odyssey.
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