With his compositions for keyboard instruments, Pachelbel left the type of instrument, on which each work could be played, open to the musician. Thus, M�rton Bors�nyi had to consider carefully whether he should play these pieces on the harpsichord or the organ. For those pieces where the virtuoso chose the harpsichord, he is playing on a reproduction of the Mayer harpsichord from 1619. Where the organ is his choice of instrument, he is playing on the euphonious Deutschmann organ in the K�lvin Square Reformed Church in Budapest. Bors�nyi presents not only a historically accurate interpretation but also one of exceptional musicality and sensitivity.
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