In the wake of a man and a woman, whose original soundtrack revealed Francis Lai to the world in 1966, the composer immersed himself with delight in the rhythms of his times, surfing on a psychedelic tsunami of white-hot jerks and shakes. With high-tension brass, diabolical rhythms and snatches of cousins in Carnaby Street, here we have a certain idea of pop à la Française, and the music's brilliant colours sparkle with the skilled arranging of the great Christian Gaubert.
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