The soundtrack traverses both the synthetic and acoustic, in keeping with the film's tension between what is natural and unnatural. Opening track 'Hyphae' unfolds like the titular fungal network, spreading and extending indelibly; the various 'Rome Themes' all motivic in their romantic yearning; the surreal piano of 'Marbles' pointing towards the recurrent image of void like black marbles, all knocking against one another, but never touching. 'Zeljava', named after the abandoned former Yugoslavian military air base featured in the film, is a central piece for it's resonant, wrenching quality, like a perpetually arched back. In a nod to film music tradition a simple rendition of Pergolesi's 'Stabat Mater' is also included in the collection.
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