This audiophile series sources the original first-generation master tapes, with HD transfers made at Abbey Road Studios. Master files, including 3-to-2 mixes for stereo titles, were produced by Thomas Fine, son of the original producer and recording engineer for the majority of Mercury Living Presence titles. Long considered a benchmark performance and recording, the Mercury Living Presence technique perfectly suits the rich, complex musical textures of Saint-Saens' masterwork. Recorded in Ford Auditorium, Detroit, October 12, 1957, with a Schoeps M201 microphone in the center and Neumann KM-56's on the left and right sides.
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