Barely two years separate the monumental 'Sonata in G' (October 1826) from its sister in C minor (September 1828), the first of a trilogy composed on the threshold of death, which was to win the struggle a few weeks later. Two years - and a whole world. Rarely presented together, these two Schubert masterpieces are key works in the repertoire but also in the aesthetic explorations of Adam Laloum.
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