Since his first public appearance in the late
1590s, Shylock has been synonymous with antisemitism. Many of his bon mots
remain common currency among Jew-haters; among them "3000 ducats"
and the immortal "pound of flesh". But Shakespeare, being
Shakespeare, was incapable of inventing anyone so uninteresting; instead he
affords Shylock such ambiguity that some of his other lines have become
keynotes for believers in shared humanity and tolerance.
Following Shakespeare's example these stories -
all inspired by The Merchant of Venice - range from the comic to the
melancholic. Many pivot on significant productions of the play: Stockholm in
1944, London in 2012, and Venice in 2016. Some are concerned with domestic matters, others with the political, including one - more outrageous than the
others - that links Shylock via Israel with the American presidency; most
combine both.
Running through these linked stories - of which
there are seven, like the ages of man - is the cycle of family life, with all
its comedy and tragedy.
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