Meisel begins his engaging discussion by refuting philosopher Theodor Adorno's assertion that
high
culture is
dialectical
and
pop
is not, showing that popular culture does indeed have a conversation both with its sources and with cultural authority as a whole. In the final section, Meisel turns his attention to Bob Dylan, a figure who, more than any other, shows what it means to synthesize and revise all traditions
music, poetry, iconography
and transform them completely.
Brilliantly conceived and clearly articulated,
The Myth of Popular Culture from Dante to Dylan
redefines the way in which we think about all forms of artistic expression.
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