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The visual arts in Germany 1890-1940 - Shearer West

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Title
The visual arts in Germany 1890-1940 - Utopia and despair
Author
Shearer West
format
Paperback / softback
Publisher
Manchester University Press
Language
English
UK Publication Date
20001228

Description

This book takes up traditional approaches to political science. It aims to offer a mixture of conventional and specific analyses and insights for different groups of readers. In view of the European Union's multi-level and multi-actor polity, the book highlights the complex procedural and institutional set-up of nation states preparing and implementing decisions made by the institutions of the European Community (EC). In looking at the emerging and evolving realities of the European polity, it shows how European institutions and Member States (re-)act and interact in a new institutional and procedural set-up. It explores how governmental and non-governmental actors in different national settings adapt to common challenges, constraints and opportunities for which they are mainly themselves responsible. The book discusses the Belgian policy toward European integration as a significant demonstration of its commitment to multilateralism and international co-operation in security and economic affairs. Attitudes to European integration in Denmark, Germany, Finland, Greece, and Spain are discussed. Tendencies towards 'Europeanisation' and 'sectoralisation' of the ministerial administration during the process of European integration and the typical administrative pluralism of the Italian political system seem to have mutually reinforced each other. Strong multi-level players are able to increase their access and influence at both levels and to use their position on one level for strengthening their say on the other. German and Belgian regions might develop into these kinds of actors. A persistent trend during the 1990s is traced towards stronger national performers, particularly in terms of adaptations and reactions to Maastricht Treaty.

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