On this 1954 eponymous album, Sarah Vaughan, arguably in the best voice of her career, sings nine intimate standards. The album was later reissued as Sarah Vaughan with Clifford Brown to signal the involvement of one of the top trumpeters of the day. Brown is on par with her with his bop virtuosity. The band, including Herbie Mann on flute, and Paul Quinichette on tenor, have plenty of space for solos.
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