The second album by the neo-psychedelic Liverpool band. The album featured a far greater use of synthesizer arrangements and loop experiments than 'Kilimanjaro' (1980), predominantly at the instigation of keyboard player David Balfe (who acted as Cope's principal creative collaborator in the studio). By now Cope had mostly abandoned his role as the group's bass player (with many tracks on the record featuring session bassist James Eller) and shared some of the guitarist role with Troy Tate, as well as dabbling in piano and organ.
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