On his current musical direction, George explains 'I'm trying to brand my own version of ironic dance music full of depressing truths about feeling distant from your friends, or a sense that nothing is worth anything', in particular he's been diving into the 70's: fusion-era works of Herbie Hancock and Quincy Jones, the funkier phases of Marvin Gaye and Curtis Mayfield, and the keyboard wizardry of Don Blackman and Weldon Irvine. He's been staying up until 5 a.m. watching Soul Train on YouTube, and testing his falsetto. 'A Day in a Yellow Beat' is a real-time culmination of ideas, however wild they may be.
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