Needless to say this is a fertile meeting between two monuments who have helped shape the cutting-edge music of the last few decades. Terry Riley, born in 1935, is the cornerstone on which a considerable number of artists have relied to liberate their relationship to the process and methods of creation. In the same way, The Young Gods revolutionised, from the second half of the 1980s, their relationship with rock music by converting guitars into samplers. The dialogue between these two pioneers underpins a particularly fiery record.
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